He works four degrees southof the equator, andanywhere a plane lands.
Fashion editorial and luxury weddings on one side; rum, jewellery, food and property on the other. The range isn't scatter — it's a photographer who learned light on an island where it changes every twenty minutes, and who can hold a brand's tone as easily as a bride's.
Six bottles, one island. Shot in the banyan roots, the cane husks and the moss — no lightbox, no studio.
Based on Mahé, four degrees south of the equator. The camera bag has been further. Drag to spin the globe — every pin is a commission.
The same eye, moving. Brand cuts, reels and full-day wedding films — shot and graded in house.
A cleaning company's proof is the room after they leave it. Shot wide, natural light held flat, nothing staged — the work has to read as evidence, not as styling. Delivered as a stills set plus a cut for social.
